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Sound Recordist / Sound Designer

Hiring Keiran Arthur as a sound recordist includes the hire of his equipment. He is equipped with the best quality, industry standard equipment. His standard kit includes:

The Zoom F8n Eight Track Field Recorder


With this high-end portable digital recorder, you can record 8 channels of sound simultaneously. Thanks to the ''look ahead'' hybrid function, it adds 1ms of delay to your recorded sound and prevents recording a clipping sound. Features a super-low noise floor with high gain. Using TCXO function, it creates timecode at 0.2 ppm accuracy. enabling precise syncing of audio and video.

Zoom F-Control FRC-8 Mixing Control Surface 


Zoom F-Control is a mixing control surface that gives filmmakers more control and flexibility when recording in the field. It works alongside the Zoom F8 to create a complete and professional on-location audio rig. F-Control works intuitively with the F8 to give you additional mastery over sound design and mixing, as well as broaden your creative possibilities. It connects to your F8 with a single USB cable, so you can keep your setup clutter-free and be ready to record in seconds. F-Control makes recording and mixing easy with nine 60 mm faders (eight + Master) and hands-on input/output control for trim, pan, track arming, and PFL. Monitoring channel and output levels is simple with 12-segment LED meters, three user-programmable buttons, and a dedicated time code button.

Rode Boom Pole


The RØDE Boompole is a precision balanced professional boom pole for location recording, machined from high grade, lightweight aluminium. The Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m to 3m.

Rode NTG-1 Shotgun Directional Condenser Microphone with WSVM Windshield


The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone. In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. The WSVM windshield minimises light wind noise and plosives during recording. 

2 x Sennheiser EW112P G4 Wireless Lapel Microphone System


The Sennheiser EW112P G4 is a high-performance lavalier (lapel) wireless microphone system with the popular ME2-II omnidirectional condenser microphone. This versatile wireless system is designed for on location and ENG-style recordings where the performer or presenter needs the freedom to move about.

Rode Blimp and Dead Wombat Windshield Protection


The Dead Wombat windshield is designed for minimizing wind noise when recording in high wind conditions using the RØDE Blimp. Its artificial fur is specially designed so as to minimize wind noise while remaining acoustically transparent.

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